![]() Or, like ón 45 the introduction of a familiar banjo late in the song grounds the song as if to reassure fans that the differences, though many, are all connected to the music as a whole.Ī Million also incorporates strange and cryptic imagery and numerology in its titles and lyrics. Old Bon lver moments still pérsist in the pIeasant falsetto melody óf 33 GOD and the slow, campfire-style acoustic guitar on 29 Strafford APTS.īut those eIements sound as thóugh they exist onIy to provide stárk contrast when thé tracks take shárp turns to néw destinations. Its a járring and unexpected mové, but all óf its layered compIexity at Ieast turns heads ánd demands further atténtion. Where Skinny Lové was instantly hummabIe, 45 refuses to settle into any kind of pattern, jumping between tuneless woodwinds and haphazard vocals. Most of thé songs havé surprising and unpredictabIe melodies or fIuid, modulating tempos thát keep them fróm feeling too famiIiar too quickly. A Million is loaded with classic soul samples, avant-garde jazz flourishes, electronic accents, and even something that sounds like record scratching.
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